Can Works Like ‘Don’t Look Up’ Get Us Out of Our Heads?

Next month, Hulu will premiere the mini-series “Palm and Tommy”, a fictional account of the release of Pamela Anderson and Tommy Lee’s personal sex tape, which was stolen from their home in 1995 and sold at what was then known as “World”. Was. The Wide Web. “The show introduces the tape as an aid to making the web more mainstream by appealing to the support of human compulsions – an on-ramp for what’s next.

The epidemic has sent this rabbit hole further down in search of disruption, information, connection when we try to shake the sense of impending doom.

At one point in the “inside”, when the fetus’s position under a blanket surrounded by a mess of ropes turns – an image worthy of an epidemic-era capsule – Burnham, closing his eyes, stares at what we’re messing with. In again

I don’t know about you, but, you know, I’ve been thinking lately that, you know, maybe the giant digital media is allowing corporations to exploit our children’s neurochemical drama for profit – you know, maybe it was bad for us. Call through Maybe flattening the whole subjective human experience into a lifeless exchange of value that doesn’t benefit anyone, you know, except for a handful of bug-eyed salamanders in Silicon Valley – maybe as a way of life forever, maybe it’s not good.

In “Don’t Look Up,” the main “bug-eyed salamander,” a character like Steve Jobs and the third-richest man on the planet, is almost entirely responsible for letting a comet collide with Earth; His 11th hour attempt to plumb the rock for trillion dollars worth of material failed. In the end, that and a handful Have Escape on a spaceship, leaving the remaining billions Do not have Death.

With Jeff Bezos, one of the richest men on earth, launching into space on his own rocket last year – a trip backed by an epidemic catastrophe (and a blip passing on cultural radar) – almost out of parody … almost.

Near the end of “Don’t Look Up”, Leonardo DiCaprio’s character, a bizarre astronomer becomes a media favorite, presents an emotional monologue. Looking at the camera, he pleads: “What have we done to ourselves? How do we fix that? “Funny. We were just asking ourselves one thing.

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